MUMBAI: Apart from the original Tamil language, film GOAT (The Greatest of All Time), featuring the charismatic Thalapathy Vijay and directed by Venkat Prabhu, also hit the screens with dubbed versions in Telugu and Hindi on 5 September 2024 in standard and IMAX formats and in summary it appears to be a film that caters primarily to Vijay's hardcore fans, offering plenty of fan service but completely lacking in any substance with only a mixed bag of action.

While the film showcases Vijay's undeniable charm and star power, it ultimately falls short of delivering a compelling narrative, leaving audiences with a sense of unfulfilled potential. Even if it doesn't quite live up to its lofty title, for those seeking a thrilling action drama with depth, GOAT may not fully satisfy. 

The story revolves around MS Gandhi (played by Vijay), a former Special Anti-Terrorist Squad officer who embarks on a mission that intertwines with his personal life, threatening his family dynamics. The film attempts to explore themes of estrangement and revenge, particularly through the relationship between Gandhi and his son, who seeks vengeance against him. This father-son dynamic, while intriguing, is marred by a predictable and clichéd storyline that fails to maintain momentum throughout the film.

Although Vijay works well in his dual role, effortlessly transitioning between the older and younger versions of his character and his performance is a highlight, particularly in action sequences where his trademark style is on full display. However, although visually appealing at times, lack the intensity and creativity expected from a high-octane thriller. Critics have noted that many of the action scenes feel average and fail to leave a lasting impact. The reliance on familiar tropes and a conventional narrative structure detracts from the film's overall excitement.

 The soundtrack, composed by Yuvan Shankar Raja, has received mixed reviews. While the background score attempts to elevate certain action moments, the songs, including a special number featuring Trisha, have been described as disappointing and uninspired. The cinematography by Siddhartha Nuni and the editing of Venkat Raajen also leaves much to be desired, with some critics pointing out that the film feels unnecessarily long and visually ordinary.